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The Symptoms and Veronika Szabó: Sirens
Mysterious eyes and bodies appear on the horizon. A bush is shaken, a stone rolls away, tree branches creak and groan, a sound approaches from a distance.
The Symptoms and Veronika Szabó: Sirens
Mysterious eyes and bodies appear on the horizon. A bush is shaken, a stone rolls away, tree branches creak and groan, a sound approaches from a distance.
Alex Miklósy – Viktoria Matisz – Toyabe Ayumi: Tanka in motion
The poetic forms of haiku and tanka are both short and complex, which is why they are difficult to translate – how can we then express their meanings through the language of dance?
Alex Miklósy – Viktoria Matisz – Toyabe Ayumi: Tanka in motion
The poetic forms of haiku and tanka are both short and complex, which is why they are difficult to translate – how can we then express their meanings through the language of dance?
Luca Borsos – Márk Bartha: Dance the District
I wanna dance. Dance in public spaces. Dance in public spaces with people. Dance in public spaces with people to the same music. But not at a concert.
Luca Borsos – Márk Bartha: Dance the District
I wanna dance. Dance in public spaces. Dance in public spaces with people. Dance in public spaces with people to the same music. But not at a concert.
Ziggurat Project: Bodily traces
‘Beautiful, such organic group work’ ‘The space felt like endless possibilities of sensory research’ ‘I was confronted with the realization how rarely we trust others to this extent’
Ziggurat Project: Bodily traces
‘Beautiful, such organic group work’ ‘The space felt like endless possibilities of sensory research’ ‘I was confronted with the realization how rarely we trust others to this extent’
PLACCC Dance Festival 2022
Ritual in the forest, common dance on the street, sensorial experiences and Japanese poetry danced in choreographies – in the program of the second edition of Placcc Dance between 2nd and 24th June.
PLACCC Dance Festival 2022
Ritual in the forest, common dance on the street, sensorial experiences and Japanese poetry danced in choreographies – in the program of the second edition of Placcc Dance between 2nd and 24th June.
Uninvited Guests (UK): Billennium
Billennium is a theatrical guided tour, not of historic sites, but of a city’s futures, on which you walk through time to the locations of utopian and dystopian science fictions.
Uninvited Guests (UK): Billennium
Billennium is a theatrical guided tour, not of historic sites, but of a city’s futures, on which you walk through time to the locations of utopian and dystopian science fictions.
Johannes Bellinkx (BE-NL): Reverse
Are you always on your way forward? Always with the next goal in mind? What if you turned around for a moment? Literally speaking.
Johannes Bellinkx (BE-NL): Reverse
Are you always on your way forward? Always with the next goal in mind? What if you turned around for a moment? Literally speaking.
Szendvicsbár
Szendvicsbár is a “found place”. It is used to be a store – a sandwich bar – that had been vacant for a decade in the VII. district of Budapest. PLACCC Festival, together with artists and art collectives with whom
Szendvicsbár
Szendvicsbár is a “found place”. It is used to be a store – a sandwich bar – that had been vacant for a decade in the VII. district of Budapest. PLACCC Festival, together with artists and art collectives with whom
Moholy-Nagy Művészeti Egyetem: Tolnai Sound Garden
The sound garden is a a kind of a „silence sanctuary”, free of dominant anthropophonic noises, which is suitable for presenting artistic aspects of sonic ecology, such as sound works and installations. Tolnai Garden is a hidden pocket park in
Moholy-Nagy Művészeti Egyetem: Tolnai Sound Garden
The sound garden is a a kind of a „silence sanctuary”, free of dominant anthropophonic noises, which is suitable for presenting artistic aspects of sonic ecology, such as sound works and installations. Tolnai Garden is a hidden pocket park in
SVUNG group: There is no end
A vigil performance Cemeteries are symbolic spaces of finitude and acceptance, while the rituals associated with them are practices of reflection on our own transience. One can compare garbage collectors and sewers with them as these are containers of our
SVUNG group: There is no end
A vigil performance Cemeteries are symbolic spaces of finitude and acceptance, while the rituals associated with them are practices of reflection on our own transience. One can compare garbage collectors and sewers with them as these are containers of our
Katalin Kortmann – Bálint Katona – András Kaprinyák: FIREWORKS
The destructive properties of fire have been used and exploited by mankind in many ways to this day. By burning garbage, the unwanted excess can seemingly disappear, turning into a more manageable material. At least apparently. Incineration of waste can
Katalin Kortmann – Bálint Katona – András Kaprinyák: FIREWORKS
The destructive properties of fire have been used and exploited by mankind in many ways to this day. By burning garbage, the unwanted excess can seemingly disappear, turning into a more manageable material. At least apparently. Incineration of waste can
NEWS MEDLEY live: Women’s Choir of Kartal & SIrens of Varsány
city walk / performance in public space – a collaboration between Alicja Rogalska (PL), Katalin Erdődi, Réka Annus, the Women’s Choir of Kartal and the SIrens of Varsány Choir
NEWS MEDLEY live: Women’s Choir of Kartal & SIrens of Varsány
city walk / performance in public space – a collaboration between Alicja Rogalska (PL), Katalin Erdődi, Réka Annus, the Women’s Choir of Kartal and the SIrens of Varsány Choir
Fuzzy Earth: Not Quite California Wonder
Not Quite California Wonder is a continuation of the ongoing research of the Fuzzy Earth collective, focusing on Capsicum annuum (bell pepper) and greenhouse environments. The new installation manifests a vision of an alternative market experience, where the visitors are
Fuzzy Earth: Not Quite California Wonder
Not Quite California Wonder is a continuation of the ongoing research of the Fuzzy Earth collective, focusing on Capsicum annuum (bell pepper) and greenhouse environments. The new installation manifests a vision of an alternative market experience, where the visitors are
Body censorship – round table discussion
Related to three performances of Placcc 2021 Festival (The Resilience of the Body: Will you marry me?; News Medley) we organise a round table discussion with the participation of the invited artists and Hungarian performing artists. Moderator: ERDŐDI Katalin Time: 30th August 2021, after the
Body censorship – round table discussion
Related to three performances of Placcc 2021 Festival (The Resilience of the Body: Will you marry me?; News Medley) we organise a round table discussion with the participation of the invited artists and Hungarian performing artists. Moderator: ERDŐDI Katalin Time: 30th August 2021, after the
News Medley
Alicja ROGALSKA (PL), ERDŐDI Katalin, ANNUS Réka, the Women’s Choir of Kartal and the Varsányi Szirének choir As the public media doesn’t cover the realm of the countryside, others must do that. News Medley, drawing inspiration from the rich tradition of
News Medley
Alicja ROGALSKA (PL), ERDŐDI Katalin, ANNUS Réka, the Women’s Choir of Kartal and the Varsányi Szirének choir As the public media doesn’t cover the realm of the countryside, others must do that. News Medley, drawing inspiration from the rich tradition of
Sara Leghissa (IT): Will you marry me?
This site-specific and temporary public lecture invites us to relate with the boundaries between what is legal and what is illegal.
Sara Leghissa (IT): Will you marry me?
This site-specific and temporary public lecture invites us to relate with the boundaries between what is legal and what is illegal.